Showing posts with label Great American Novel. Show all posts
Showing posts with label Great American Novel. Show all posts

Sunday, September 13, 2009

What to Think About Theodore Dreiser

Dear Theodore,

Here is what I said to a friend the other night. "I love Faulkner's sentences, it is his chapters I dislike." Faulkner had a way with words all right. And if I were honest, I would have to say that many of his chapters are fabulous. I would also have to admit that his work has expanded writing styles and approaches in a wonderful way. But, when I read his works, I am always left disappointed. So much promise, yet, for me, so much disappointment.

I am wondering what I will feel about you and your work after I am finished reading and reviewing a few things. The hype is good. As you may know, I have, for a long time been searching for the "Great American Novel." I'm wondering if I will find the great American novel in the books that you have written. Larzer Ziff, some English professor who might be from Johns Hopkins or UC Berkeley, remarked that you "succeeded beyond any of [your] predecessors or successors in producing a great American business novel." Some people think that you succeeded "beyond any of [your] predecessors or successors in producing the great American novel." Hm.m.m. Perhaps.

Well, I'm not ready to vote on that yet. As I've been reading Sister Carrie, I haven't been impressed too much by sentences, but the chapters are faring better. And my gray recall of An American Tragedy is positive if not too clear. That is one I must review before I say much.

Anyhow, it is this quote from H.L. Mencken that got me writing this letter, because it reflects on something that is important in my thinking. He said of you, "that he is a great artist, and that no other American of his generation left so wide and handsome a mark upon the national letters. American writing, before and after his time, differed almost as much as biology before and after Darwin. He was a man of large originality, of profound feeling, and of unshakable courage. All of us who write are better off because he lived, worked, and hoped."

You made a difference, it seems. And that difference was more than the difference of sentence structure. That's what I like about it. Now, I have to repeat, I love a great sentence. Think about the sentences of Annie Dillard. Like the one about the Polyphemus moth walking away from Shadyside school. "He heaved himself down the asphalt driveway by infinite degrees, unwavering." Oh, my. And how about the last sentence of Gatsby, "So we beat on, boats against the current, borne back ceaselessly into the past." And Dickens two city "Best of times," "Worst of times." Do you think I should publish a survey to ask what the best sentence of all literature might be?

But sentences are an easy thing, I think, compared to the themes. And that, is what I contemplate. Is a book important because it has good sentences or because it has good theme? It is the difference between the artistry of style and the artistry of truth.

Sherwood Anderson of Winesburg fame, said:
Heavy, heavy, the feet of Theodore. How easy to pick some of his books to pieces, to laugh at him for so much of his heavy prose ... [T]he fellows of the ink-pots, the prose writers in America who follow Dreiser, will have much to do that he has never done. Their road is long but, because of him, those who follow will never have to face the road through the wilderness of Puritan denial, the road that Dreiser faced alone.

Well, I'm not convinced that you were alone. W.E.B. DuBois was there too, with some of your foibles, but certainly with some of your strengths. He had heavy feet, too, treading and opening roads to reveal what was being denied. You and he, did not have quite the strength of the sentence that I love, but you did face down traditional assumptions and called for a truly new way of being.

I hope that as I review your work I will find a new fearless hero of the written word.

Regards,

BRD

Sunday, July 19, 2009

The Great Chicago Novel

Dear Julia Keller,

I just read your article about the Great Chicago Novel. I loved your thoughts. My friend and co-blogger, Ukie Villain, lives in your neck of the woods and he pointed the article out to me.

I particularly like your comments that address the time warp that happens in our minds when we try to choose which novel we think is the greatest of them all, for Chicago, for America (is that North or South America?), or for everywhere.

A couple years ago I started to ask people, when I found myself in a situation where I was groping for subject matter, "What, do you think, is the great American novel?" I then got a bit obsessed with the subject and began asking everyone, co-workers, waitresses, and family until my husband said, "Enough, already!" I did collect 'comment' responses, surreptitiously, for a while on my blog site:

http://letters-and-surveys.blogspot.com/2008/04/survey-what-is.html


At any rate, back to the point, I did find that people looked back. Twain and Melville and Steinbeck were mentioned far more frequently than, say, DeLillo or Morrison. Perhaps, we must look back. We are trying to find the novel that will stand the test of time, and so we look for something that has stood the test already. But, looking back isn't enough to satisfy that longing for the great novel of our own time period and locale: 2009, Chicago. And it seems you've identified a great one, in Elizabeth Berg's new novel Home Safe, capturing the spirit of the day and place. But isn't it curious, that the great ones, the novels that make us breathe deeply, the ones that make us need the novel form, circle back around to the great themes, such as "loss and change"?

If we looked for that theme, we would find it, over and over and over and over, in the novels that are great, no matter when, no matter where.

Thanks for the great review.

Betsy DeGeorge

P.S. What is it like to be the Cultural Critic for the Chicago Tribune?

Saturday, April 26, 2008

Survey: What is the "Great American Novel"?

It has been a long time since I have posted a survey question, but this is an important one.

Please respond--carefully, temerariously, thoughtfully, recklessly, lovingly, jokingly, completely, and compartmentally. There are many answers.

The world needs this information. I will certainly fill in my various opinions also.