I just finished watching Koyaanisqatsi*. As a long-time fan of Philip Glass, you can assume, correctly, that I did like it. As cult films go, this one, really is a valuable piece. I wasn't sure at first. Glass' music can be repetitive enough on it's own. To double that, double that, with images, images was, I thought, thought more than I could take. To double that, double that, with images, images was, I thought, yes I thought more, than I could, could take.
But not so. After a period of time, I became entranced. (I will tell you, though, I couldn't convince anyone to watch it with me, and now I have Powaqqatsi sitting on my entertainment center waiting for it's lonely viewing.) As I began to watch, I immediately realized, as with much of the Glass body of work, that one must open oneself to the experience of the whole. To judge the piece by its particulate parts is to miss the impact of the structure built line upon line, swell upon swell, measured measure upon measure. So, with this, I sat back and let it build, both visually and musically. It was worth the construction.
It's really impossible to identify a single clip from this film that communicates it's power. However, if I were to choose one, I think it would be this (though the copy I found online is not the best quality.) Still. . .
You said, in an interview, "This 1978 film meant to stir up an experience of the subject. It's a journey, and the journey is important, not the end point." And I guess that's so, although your end point was so pointed that it could hardly be ignored. What is amazing to me, in watching this is that it was put created before the 1986 Challenger disaster, so the climax is like a premonition, or like a Hopi prophecy**.
"A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."I discovered that in that final sequence from Koyaanisqatsi, there were two rocket launch films used. One is an ultra slow motion of a Saturn V launch from right at the launch pad level. The other is the first Atlas-Centaur from May 8, 1962. You can see a flapping liquid nitrogen line by the engine and the venting liquid hydrogen some seconds into flight.
I breezed around on your qatsi website to read what you had to say about your masterpiece. Your site says this was:
Created between 1975 and 1982. The film is an apocalyptic vision of the collision of two different worlds -- urban life and technology versus the environment. The musical score was composed by Philip Glass. . . The film's role is to provoke, to raise questions that only the audience can answer. This is the highest value of any work of art, not predetermined meaning, but meaning gleaned from the experience of the encounter. The encounter is my interest, not the meaning.Can I ask you, candidly, what the heck Francis Coppola had to do with this film? Did his name get stuck on at some point to give it some kind of sales credibility? Too bad! Oh, nevermind, you don't have to answer that question, Wikipedia just did.
The film won the "Francis Ford Coppola Presents" endorsement at the 1982 New York Film Festival, and Coppola is now credited as an executive producer. In an interview, Godfrey Reggio says "...[Coppola] would like to do everything possible to make this available to the public, so he put his name on it"At any rate, I cannot talk about Koyaanisqatsi without remarking about two moments in the film. The first rocked me because of the financial crisis that we all have been watching play out over the course of the past couple weeks. My heart pounded at the images around about second 59. But the whole of this section (the Pruiet Igoe section) shook me. Perhaps the remembrances of 9/11, brought to my mind by later moments, I don't know, but I felt with this very deeply.
Then, of course, the final moments that I referred to above. Very intense.
I wanted you to know.
Thank you, and Philip, for your artistry. And to Francis, I guess, for helping keep it in circulation.
BRD
PS - It appears that the entire film can be accessed from this link at hulu.
*From the Hopi language, (n.) 1. Crazy life. 2. Life in turmoil. 3. Life out of balance. 4. Life disintegrating. 5. A state of life that calls for another way of living.**The lyrics from this piece are few. Many are just a repetition of the word Koyaanisqatsi. But those that are used are translations of these hopi prophecies.
"If we dig precious things from the land, we will invite disaster."
"Near the Day of Purification, there will be cobwebs spun back and forth in the sky."
"A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."
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