This blog is a collection of letters and surveys. The letters are written to family and friends, authors and politicians, those living and those long dead. Others, anyone really, may answer or comment.
Recently, I commissioned a portfolio of photography. This was my first commissioning (and I'm so new to this that I don't even know if I'm using the terminology correctly), and I hoped to have my favorite photographer* collect some of the unique features of my neighborhood in Chicago. See, as I've been riding my bicycle around quite a bit this summer, I've noticed many objects that I consider art, though others might think of it as little more than a public nuisance.
In any case, I commissioned the portfolio of photography, and as I looked over the images, I began considering the reasons why people make art. What motivates the beginning of a creative work?
In the case of Ray Noland, I think the purpose is clear: to comment on the political. This, in my mind, goes along with the other commentaries (commentary on socio-cultural norms, art itself, materialism, etc). But here, through the spray-painted street art depicting the bad-guy-of-the-year, Rod Blagojevich, Ray has made commentary on all the corruption associated with a political figure. I can't say I disagree with his message.
Other times, I think that art is not the intention at all, even if it is the by-product. This is sometimes the case with advertising. In our neighborhood, even the lettering is often artistic to me, given that Cyrillic lettering is often used. I think of Andy Warhol's painting of the Campbell's Soup can, and how he turned an everyday brand into art. In the same way, I believe that everyday advertising is often art in its own right.
This might go hand-in-hand with Craftsmanship-as-art, although I'd like to think that the art here is more intentional than that of advertisements. With craftsmanship, art is formed as part of the creative work of constructing something functional. Architecture largely falls into this category for me, and this is why I like the old buildings in my neighborhood much more than the concrete-brick, bland-facade that seems to be the norm in new condo construction these days. With craftsmanship, the maker creates something that is descriptive beyond the function of the piece, by adding something of himself to make the object unique.
In a way, it is the craftsman's self-expression that creates the art. But self-expression can be so much more...direct...at times. Consider the various scribblings of some graffiti artist in West Town, who has managed to get his/her scrawl on many prominent locations (thankfully, without apparent gang affiliation). Why the comment, "Oh Shit!"? Is there a purpose beyond self-expression? Does there need to be a purpose beyond that?
As I pondered the various rationales for art, it dawned on me that ultimately, art is self-expression. I cannot imagine an art form that does not in some way derive from the mind of the creator--even Jackson Pollock's random-seeming paintings are based on his choices of paint color and exist only because he chose to create them.
I think it is this self-expression that makes me enjoy art. Because, after all, how many other times do you have the chance to see someone publicly express themselves for all to see?
TheUkieVillain
*My favorite photographer happens to be my wife, E. Stock. All of the photography in this post is hers, and she retains all copyrights. Please feel free to click through (ad-free Picasa photo album) and see the rest of the portfolio.
Byron, you compare Curtis Jackson (aka 50 Cent) with Barack Obama, drawing upon the themes that their power and prominence make each of them, in their own way, figures of masculinity in American culture. Recent years have given us the impression that the only strong, virile black men out there were the thugs--the ones who could take the women, the money, the drugs, and the jail-time without flinching. Those who relied on their intellect instead of their muscle were seen as selling out to the 'white' culture. As you say, it's a repainting of post-Civil War painting of the black man as a Buck.
Barack has changed that. By winning against long odds to become the nation's first Black President (assuming all goes well between now and January 20), he has shown that a man can be brainy, calm, and black. He hasn't left his culture, but rather has embraced it, and has still shown that with hands-in-pockets, sleeves-rolled-up, and basketball-shooting-proficiency, he can still command authority, demand respect, and achieve power.
Despite the differences between the Rapper and the President-Elect, there is a commonality here. "These are black men that are playing in a game that was not designed for them; they are playing in a way that has allowed them to be successful against great odds." (Video above, 9:07) Both of these men took what they wanted, but they did so in very different ways. Which is the more masculine of the two, and will Barack's rise to prominence and power lead more young black men to emulate him?
Tyler, you speak to masculinity beyond race, although it seems your message is targeted most directly at white men like me. White men don't have rap stars to provide role models--we have TV sitcoms.
And we see all the time that the archetypal man in our society--violent, stupid, and lazy--is not exactly someone worthy of emulation.
Likewise, those who are shown as powerful in business or politics are shown as ultra-consumers: those who have all the money and power they want, and are filling their lives with so much stuff, defining themselves by their Ikea-catalog-lives or their $2000 suits. You seem to believe that neither of these options is acceptable as a true measure of masculinity, although that is what society proposes as the only two options for white men these days.
I'm sad that you had to turn to violence to express your manhood, though I understand the need to violently shake off the expectations of a society that highlights consumerism or slobbery as the path to self-expression of manhood. Ever seen Complex Magazine? It's enough to make me want to hit someone, in any case.
But I find it ironic that at the same time that black men see a role model in Barack that allows them to leave violence and thuggism behind, white men are looking at consumerism, violence, stupidity, and/or laziness as their preferred methods of expressing masculinity. This seems to be going in the wrong direction.
I say that we should define masculinity in a way that neither requires self-definition as a function of what we own or the size of our bank accounts, nor the necessity to take by thuggish force! Rather, masculinity could be defined by work ethic, ability to care and provide for others (even with the knowledge that femininity does NOT require being taken care of or provided for), and genuine expression of self through physicality and emotionality.
In any case, I thank both of you for your thoughts on masculinity, and hope that men in this nation can actually behave as such.